There are few things in life more exciting than a new love. Meeting someone and realizing that they are perfect for us can bring a rush of pleasure to our entire body. It is an unsurpassed feeling, and anyone who has ever fallen in love at least once in their life can attest to how powerful it feels. This peak of energy also leads to the collapse and burnout of many relationships, as the next step after falling in love is getting to know the other person in detail, which often means dealing with nightmarish family members, traumatic experiences, and annoying habits. Screenwriter and director Gabriel Bier Gislason in his debut feature film, The attachment explores the joys and tribulations of new love, blending a delicate love story with truly terrifying elements.
The attachment begins in Denmark, where the hopeless actress Maya (Josephine Park) meets a foreign student Leah (Ellie Kendrick). Due to geographic restrictions, Maya and Leah’s love is doomed from the start, as Leah will only be in Denmark for a few days. However, lack of time and fear of missing out on a great love story quickly bring them closer. First, Leah misses her plane home to spend some more time with Maya. Maya then decides to ruin her life and move in with Leah in London. Their love is questioned when Maya comes to London as she realizes that Leah lives in the Jewish area with her mother (Sophie Grobeul), an orthodox woman who often ignores her daughter’s boundaries in the name of tradition.
Bye The attachment it only takes a few minutes to establish its story, the rest of the time the film will spend exploring the complex relationships of the three women. The newly minted couple is forced to realize that they don’t know each other that well, and living together may have been a bad decision. Meanwhile, Maya’s outward view of Leah and their mother’s relationship makes the young woman realize how her privacy and independence are often violated in her mother’s home. Finally, Maya feels isolated and cut off from a culture she doesn’t understand, wondering if she did the right thing by leaving.
Because there are so many The attachment depends on the character, the film could not have been so successful without the brilliant performance of the main characters. The trio of protagonists shine with every second of execution, each lending their characters new emotional layers, leading a rich story of family, trust, and self-sacrifice wrapped in Jewish folklore. Kendrick deserves special praise for how she turns into a menacing figure when the script calls for it, even though the makeup and special effects work in The attachment is kept at a minimum. And while The attachmentthe story tells of elements specific to the Jewish tradition and issues typical of Europe, Kendrick, Park and Grobel. make the film a universal story about mother, daughter and lovers.
Despite it all doing impressively well The attachment still unable to define an identity for himself, dangling precariously between horror and drama. The film is stronger when it revolves around the growth of the characters, but the relationship between the three women is defined by the supernatural elements of the plot. This means The attachment could not work as a mere study of human struggle. However, The attachment never truly embraces horror, with its supernatural elements often seeming to be secondary. As a result, The attachment it’s hard to sell to the average horror fan, who might be disappointed by the lack of scary moments, or even the lack of an overall sense of dread.
Despite its flaws, and the script echoes some well-known horror beats, the opening feature rarely has as much heart as The attachment does. And even if Gislason doesn’t seem to be able to handle the horror of his film, The attachment often subverts expectations when it comes to queer representation and Jewish traditions, keeping the story fresh until the credits roll. The movie might not be the best choice for people who are looking for new horrors to populate their nightmares. But anyone looking for an honest and poignant exploration of love and family should keep going. The attachment on their radar.
Rating: B
The attachment comes to Shiver on February 9th.
Source: Collider
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