All you who worship at the altar of the movie screen: here is Letterboxd’s “Keeping the Faith: The Best Religious Characters in Movies” poll - neither demons nor gods should participate in this sacred poll, and only the best religious human characters are allowed on the list. to the cinema. Even with this caveat, the material is rich and the genres varied, despite the fact that they all belong exclusively to the Judeo-Christian canon.

From the suspicious Aloysius to the doubting crusader, sinners and saints find their home in the top ten. Whether challenging faith, questioning conscience, or harmonizing with habit, students of great filmmakers will find at least one favorite character that exists in the name of all that is holy. Praise be to these religious characters who are the holy trinity of great performance, great script and fantastic film.

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10/10 Sister Aloysius - “Doubt” (2008)

Meryl Streep and Philip Seymour Hoffman in Doubt, 2008

Based on a play that won a Pulitzer Prize and a Tony Award John Patrick Shanley, Doubt is a critically acclaimed film adaptation that follows the head sister Aloysius and her suspicions about Flynn’s father’s relationship with an acolyte. The stunning writing cultivates doubt in both the minds of the audience and the minds of the characters.

Meryl Streep”Sister Aloysius” is executed flawlessly. Her presence is undeniable from the first moment she moves across the screen. She is shrewd and protective, embodying feline qualities - lying in wait and striking at her prey, leaving no easy escape for the dubious father Flynn.

9/10 Deloris Van Cartier - “Sister Act” (1992)

Sister Mary Clarence with the monks' choir behind her in Sister Act.

After witnessing the dirty deeds of her bandit boyfriend, Deloris Van Cartier, a nightclub singer, she is isolated under witness protection in a convent. While she’s in hiding, Deloris encourages the sisters to be more involved in their community and spices up the choral repertoire with some dance-worthy prayers.

sister act it’s godlessly funny food for the soul, a tale of fish out of water with a heavenly return. Whoopi GoldbergSuperb comedic performance combined with a divine soundtrack make this devotional musical romp the most enjoyable of the bar nuns!

8/10 Antonius Blok - “The Seventh Seal” (1957)

The seventh seal of chess

Unlocked by playing a legendary game of chess on the beach with Death. Ingmar BergmanX seventh seal (Det Sunde Inseglet) tells of a knight who returns from a brutal Christian crusade and finds his homeland devastated by the Black Plague. The religious hysteria that this causes is offset by the boredom of the knight Antonius Blok about the meaning of life, death and faith.

Blok is deeply self-absorbed, going through an existential crisis that has left him lonely and frustrated. Faith is no longer good for a cynical crusader. He opposes Death, a secretive adversary who always wins. The film tackles heavy topics, often with a light heart, driven by Block’s constant questions that will challenge even the most ardent believers.

7/10 Saint Joan - “The Passion of Joan of Arc” (1928)

Maria Falconetti in The Passion of Joan of Arc.

Using the transcripts of the trial, Passion of Joan of Arc catalogs of the interrogation, torture and martyrdom of Saint Joan. The performance is shot almost entirely in close-up. Rene Falconetti can be closely examined, and her innocence and strength of character shine through.

The performance of Saint Joan exists in the eyes. As required by the nature of silent cinema, and in this case the almost exclusive use of close-ups, the eyes are the portal through which horror, doubt, confusion, and determination are conveyed. Intimate and appreciative of simplicity, Falconetti’s Joan is a chapter in film history not to be missed.

6/10 Brian - Monty Python’s Life of Brian (1979)

monty python life of brian
Image courtesy of Cinema International Corporation.

Brian’s character Monty Python Life of Brian most significant for what it represents. Through a series of accidents and coincidences, Brian discovers that he has risen to the status of a spiritual leader, when in reality he is just a very naughty boy. The exclusion of the divine from the traditional Christian narrative was a bold move, and after the film’s release it was banned in several countries.

Everything that Brian leaves behind is considered inviolable, and meaning is added where there is none. The film becomes about the need to write a narrative - to make sense of things where there is no meaning, resulting in a bunch of nonsense. Humanity has a deep need to understand things and build belief systems; however, perhaps all one really needs to do is look on the bright side of life.

5/10 Eli Sunday - “There Will Be Blood” (2007)

Paul Dano as Eli Sunday in Oil Will Blood
Image via Paramount Vantage

Paul Dano plays Eli Sunday, a small town preacher in late 19th century America. With a family plot on oil-rich land, Eli and his community fall under the manipulative control of ruthless oilman Daniel Plainview. Eli and Daniel get into an ego battle; both characters are sort of performers, seeing through each other’s facades.

A fire rages inside Eli, as deep as an oil well and as explosive as it rises to the surface. His sermons are passionate, reminiscent of the sermons of a modern televangelist. The film boils down to a tit-for-tat game of humiliation between Plainview and Sunday. It’s no small feat to match Daniel Day Lewis in the scene, but Dano vividly plays with his stage partner, overcoming all his difficulties.

4/10 Harry Powell - The Night of the Hunter (1955)

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Image via United Artists

AT Night of the hunterA father hides $10,000 of stolen money before he dies, and only his children know where to hide. Enter the malevolent and manipulative cloth man, Harry Powell, who marries the children’s mother and is after money. Harry embarks on a chilling chase with the kids, using his religious status as a convincing mask.

The character is devilishly deceitful, always maintaining false piety. Only children see through his pretense, commenting on how easily adults can turn down too much trust when it comes to religious righteousness. The creator of love/hate knuckle tattoos and charming to boot, Harry Powell is an iconic character that will have viewers praying twice before bed.

3/10 Father Sebastian Rodrigues - “Silence” (2016)

Andrew Garfield in Silence, 2016

Martin ScorseseX Silence explores the violent repression of the Christian faith in 17th-century Japan. Two Jesuit priests go in search of their mentor, unable to believe that he has renounced his faith and embraced the traditional Buddhist way of life. They uncover the torture and forced apostasy endured by a small but fervent community of Christian converts.

Silence raises questions about God’s silence in difficult times and the morality of staying silent about one’s beliefs in order to survive or save others. Father Rodriguez is compassionate but conflicted, and his performance is well deserved. Andrew Garfield British Actor of the Year Award from the London Film Critics Circle.

2/10 Father Karras and Father Merrin - The Exorcist (1973)

exorcist

Any discussion of religious cinema would be incomplete without Exorcist. The urban legends surrounding the film have taken on a mythology of their own. With intense pre-release hype and a lasting cultural impact that persisted long after the film closed, Exorcist is crucial to the history of cinema, horror films, and religious depictions on screen.

Father Karras and Father Merrin both perform the exorcism of Regan MacNeil, using all their reserves of power to stay focused while being tested by the devil. Furious, Merrin orders the devil to retreat (despite his pea-soup-soaked tippet). Karras must overcome the devil’s cruel tactics by becoming a physical and emotional sacrificial martyr. With iconic lines and shocking effects, the power of Christ keeps viewers coming back to this cinematic classic time and time again.

1/10 Reverend Toller - “First Reformer” (2017)

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Image via A24

First reformer reflects on climate change, spirituality, modern martyrdom and corrupt social infrastructure. Reverend Toller keeps a diary throughout the film, told as an internal monologue, revealing the character’s inner life like a prayer.

Ethan Hawke demonstrates a stunning performance as Toller - holding in the image of the concept of hope and despair at the same time, he is somehow both measured and passionate. His weakness due to illness, past and loneliness is obvious. Toller acts as an allegory of one person for the planet and human spirituality; in a state of decline, trying to stay alive for as long as possible, but exhausted to the point of total annihilation. Maybe the only way out of this mess is through love.