Almost a century The Walt Disney Company released dozens of films, from Snow White and the Seven Dwarfs in 1937, with several films from Disney, Pixar And Marvel on my way. But for a company that started with a fairy tale about princesses, and its next notable release was a fairy tale about princesses, it probably added a trope or two.
Despite being the most magical movie company on Earth, Disney films have never been unique. From the not-so-surprise dead parent to the classic helper animals that virtually every princess has, Disney movies tend to follow the same storylines.
10 Animal Companion
Disney movies are best known for having the main characters have an animal friend, a trope that goes back to decades when Snow White learned how to handle birds. This unlikely friendship blossomed into dozens of princess films, where the main character had a partner in the form of a fish, a tiger, a chameleon or a dragon.
And if you’re not a Disney princess, that won’t stop you from getting an animal helper. Character duets such as Lilo and Stitch, Mowgli and Baloo, Penny and Volt are made up of one human and one animal.
9 At first glance, a nice guy is a villain
When one character in a movie is too good, chances are he’s actually the villain of the story. While Pixar, Marvel and Lucasfilm everyone is guilty of this trope at times, it was Disney who overdid it in just about every major movie.
This trope is not just an evil villain who treats the main character well, like Ursula in Mermaid or a witch Snow White, but in an unexpected twist, when a character everyone thought was a good guy turns out to be a bad guy, like Candy King in Wreck It Ralph and Hans in Frozen.
8 Girl in trouble
Damsels in Distress is an older trope compared to brave and independent female characters like Moana and Tiana in later films, but still one that Disney has done way too many times, starting with Snow White needing a Prince to save her in Snow White.
Many other Disney princes end up saving their future princesses, such as when Jafar tried to marry Jasmine in Aladdin and Aurora needed a prince to kiss her, to save her in Sleeping Beauty. A much more realistic approach has emerged. confused when Rapunzel protected herself with a pot and later saved Flynn’s life by being anything but a damsel in distress.
7 dead parents
One trope you can always count on in any Disney movie is the main character who has at least one dead parent. This is usually done in princess movies like Mermaid, Aladdin And The princess and the frog characters such as Max Goof, Pinocchio and Hiro also have only one parent.
If the characters don’t enter their movie with a dead parent, chances are one of them will die somewhere during the movie, the best and worst example at the same time The Lion Kingwhen Simba loses his father in the middle of the movie at the hands of his evil uncle.
6 Female character changing herself for a love interest
A passed out woman completely transforming herself in an attempt to get her man’s attention is nothing new, but she’s aging horribly in an era of female empowerment. While characters like Tiana, Merida and Moana make sure they don’t need a man, other female Disney characters often give in under pressure.
Although she doesn’t do it on purpose for Eric, Ariel decides to give up her voice in order to have a chance with the prince in Mermaid, while Cinderella feels the need to completely change her image and lifestyle in order to attend a ball with Prince Charming in Cinderella.
5 The urge to belong
The desire to belong in a world where you feel like an outcast is an exaggerated trope in any movie and one that Disney never shirks from, and Elsa is a prime example of a character who feels like she doesn’t belong because of her magical powers. in a kingdom full of seemingly ordinary citizens in Frozen.
Together with Elsa, Mowgli, a man who does not fit into the surrounding jungle animals, appears on the Disney island-loser. The jungle book, Kuzco, who does not fit into his role as a prince, and later does not fit in due to the fact that in Emperor’s new groove, and Quasimodo, who does not fit into the kingdom because of his deformities.
4 Ear worms that drive you crazy
One thing that Disney movies do best is include chart toppers in their films, even if they are constantly playing no matter where you turn. Some Disney songs will become classics forever, such as “Circle of Life” from The Lion King and “A Whole New World” from Aladdin, but others sometimes linger on everyone’s lips.
Elsa’s powerful hit “Let It Go” with frozen was perhaps the biggest case of the earworm that drove you crazy, playing everywhere from radio to late-night talk shows. Disney’s latest tedious tune came from Encanto when “We Don’t Talk About Bruno” aired after being released in 2021.
3 Conclusion with the wedding
Ending with a wedding is an easy way to end any movie with a love story, and Disney movies are no stranger to that, especially when it comes to the princess genre. Princesses such as Cinderella, Ariel, Tiana, and even the honorary Princess Nala ended up married by the end of their films.
When a Disney movie doesn’t end with a wedding, usually the movie starts with one, much like Rapunzel and Flynn’s wedding with which the short begins. Complicated story and Dalmatian owners Roger and Anita get married at the beginning 101 dalmatians.
2 Dim continuation
Sequels that pale in comparison to the first film are not uncommon, and Disney also doesn’t milk its most popular characters and franchises with an abundance of sequels. The era of Disney sequels began during the Disney Renaissance, when every movie from Disney’s most beloved era received a sequel, and then several.
Notorious for telling the same stories as the first films, with only some improved animation, Disney sequels almost never do as well as their predecessors and are left either forgotten or by fans wishing the studio had settled on one.
1 Straight love stories
Perhaps the most exaggerated trope in Disney films has to be direct love stories between a man and a woman, whether in human form, animal form, or even household items such as candelabra and a feather duster.
Disney subsidiaries such as Pixar and Marvel have already paved the way by incorporating LGBTQ+ characters and love stories from light years lesbian couple in MCU first openly gay couple in Eternals, hopefully paving the way for Disney to include more than a passing pair of oryx in Zootopia or LeFou suddenly turning gay in 2017 The beauty and the Beast.
Source: Collider
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